Pictorial Irony, Parody, and Pastiche

Margaret A. Rose

doi:10.5771/9783849816124

Zusammenfassung

Margaret A. Rose is an internationally recognised author of books on the history, theory, and practice of parody. In this new study she turns her attention to the visual arts and to the use in them of forms of comic interpictoriality in the 19th and 20th centuries. In addition to examining examples of pictorial irony, parody, and pastiche, as well as of satire and caricature, this study discusses the distinctions that can be made between these forms, as well as between the new hybrid varieties of them that have developed, and looks at the role played by both artist and spectator in their reception and development.

Earlier books by Dr. Rose related to this subject include her Die Parodie: Eine Funktion der biblischen Sprache in Heines Lyrik, Meisenheim am Glan 1976, Parody//Meta-Fiction: an analysis of parody as a critical mirror to the writing and reception of fiction (London 1979), The post-modern and the post-industrial: a critical analysis (Cambridge 1991), and Parody: ancient, modern, and post-modern (Cambridge 1993). Other relevant works include her three most recent books published by the Aisthesis Verlag, Bielefeld: Theodor Mintrop. Das Album für Minna (1855-1857) nebst anderen neuentdeckten Materialien (Bielefeld 2003), Parodie, Intertextualität, Interbildlichkeit (Bielefeld 2006), and Flaneurs & Idlers. Louis Huart “Physiologie du flaneur” (1841) & Albert Smith “The Natural History of the Idler upon Town” (1848) (Bielefeld 2007).

In addition to these books Dr. Rose has recently completed articles on the subjects of 19th century caricature, the grotesque and parody, Karl Rosenkranz’s “Aesthetics of the Ugly”, and on parody in 19th Century British and German art.

Schlagworte

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Bibliographische Angaben

Copyrightjahr: 2020
ISBN-Print: 978-3-89528-841-8
ISBN-Online: 978-3-8498-1612-4
Verlag: Aisthesis, Bielefeld
Sprache: Englisch
Seiten: 333
Produkttyp: Monographie

Inhaltsverzeichnis

KapitelSeiten

Titelei/Inhaltsverzeichnis Kein Zugriff Seiten ii - viii
Introduction Kein Zugriff Seiten 1 - 2
1. 1.1 Introduction Kein Zugriff
2. 1.2. Parody Kein Zugriff
3. 1.3. Meta-art Kein Zugriff
4. 1.4. Irony Kein Zugriff
5. 1.5. Satire Kein Zugriff
6. 1.6. Parody, irony and satire compared Kein Zugriff
1. 2.1. Pastiche and comic pastiche Kein Zugriff
2. 2.2. In performance art, photography, and film Kein Zugriff
3. 2.3. In installation art and sculpture Kein Zugriff
4. 2.4. Caricature Kein Zugriff
5. 2.5. Visual puns Kein Zugriff
1. 3.1. Introduction Kein Zugriff
2. 3.2. Signals of parody Kein Zugriff
3. 3.3. The Reader/Spectator Kein Zugriff
4. 3.4 The Recognition of Parody Kein Zugriff
5. 3.5. Attitudes of the parodist to the work parodied Kein Zugriff
6. 3.6. Public and private parody Kein Zugriff
1. 4.1. Introduction Kein Zugriff
2. 4.2. “Choices of Hercules” Kein Zugriff
5. Conclusion Kein Zugriff Seiten 287 - 296
6. Bibliography Kein Zugriff Seiten 297 - 328
7. Index of Artists Named Kein Zugriff Seiten 329 - 333