Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms?These and other questions are addressed in this volume that assembles contributions by artists, writers, scholars and editors such as Dene Grigar, Sandy Baldwin, Carlos Reis, and Frieder Nake. They offer a multiperspectival view on the way digital media have changed our notion of textuality.
Shelley Jackson''s Grotesque Corpus Notes on my body⎯a WunderkammerSeiten 87 - 106 María Teresa Vilariño Picos, Gabriel Tremblay-Gaudette, Sandy Baldwin, Otso Huopaniemi, Carlos Reis, María Mencía, Mia Zamora, Anna Nacher, Devon Schiller Download Kapitel (PDF)
Choice and Disbelief: Revisiting Immersion and InteractivitySeiten 107 - 132 Daniela Côrtes Maduro Download Kapitel (PDF)
Creative Process: Interweaving Methods, Content and TechnologySeiten 133 - 150 María Mencía Download Kapitel (PDF)
Distilling the Elements of "Networked Narratives" with Digital AlchemySeiten 151 - 166 Mia Zamora Download Kapitel (PDF)
The Creative Process as a "Dance of Agency" Shelley Jackson''s Snow: Performing Literary Text with ElementsSeiten 169 - 186 Anna Nacher Download Kapitel (PDF)
Narrative Across Media: Trans-Stories In-BetweenessSeiten 187 - 204 María Teresa Vilariño Picos Download Kapitel (PDF)
Face, a Keyword Story The Archiving Vocabulary for Facial Expression in the German Imaginary from Printed Text to Digital ImageSeiten 207 - 252 Devon Schiller Download Kapitel (PDF)
