Due to shifts in the contexts of the production and presentation of the music video, more and more people start to talk about a possible end of this genre. At the same time disciplines such as visual-, film- and media-studies, art- and music-history begin to realize that despite the fact that the music video obviously has come of age, they still lack a well defined and matching methodical approach for analyzing and discussing videoclips.For the first time this volume brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future.
Rewind - Play - Fast Forward Kein Zugriff Seiten 7 - 32
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"Don''t You Cry Tonight" Kein Zugriff Seiten 35 - 40
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The Genealogy of the Clip Culture Kein Zugriff Seiten 41 - 58
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Looking at Music Kein Zugriff Seiten 59 - 66
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"Pride and Prejudice" Kein Zugriff Seiten 67 - 74
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Concerning the Transition of the Reception of the Music Video due to a Change in the Politics of Distribution of the Music Videoand the Music(-TV-)Market Kein Zugriff Seiten 77 - 88
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An Analysis of the Relation between Music and Image Kein Zugriff Seiten 89 - 110
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"Sense and Sensibility" Kein Zugriff Seiten 111 - 134
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The Aesthetics of Music Videos: An Open Debate Kein Zugriff Seiten 135 - 154
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Liquid Cosmos Kein Zugriff Seiten 155 - 178
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Who Cares about the Music in Music Videos? Kein Zugriff Seiten 179 - 194
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Get the Cut Kein Zugriff Seiten 197 - 206
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"Why Artists Make Clips" Kein Zugriff Seiten 207 - 224
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"It''s the End of Music Videos as we Know them (but we Feel Fine)" Kein Zugriff Seiten 225 - 232
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Music Video and YouTube: New Aesthetics and Generic Transformations Kein Zugriff Seiten 233 - 270
