Vladimir Putin justifies his imperialist policy by use of the past. For him, Russia has always been an Empire and must remain so. The story of Russian imperialism has deep historical roots, and this book shows how Byzantium, the most powerful medieval and Christian empire, is repeatedly presented in Russian history as the source of the empire’s imperial legitimacy.
The author reflects on the role of art and the humanities (especially history and art history) within the power ambitions of regimes and political parties over the last two centuries as tools for the repeated reinvention of an empire’s identity; an identity built on a multitude of invented pasts. Within this self-referential narrative, Byzantium becomes the ultimate authority justifying the aggression of the Russian state, and Orthodox belief becomes the bridge linking the medieval past with the present. One of the paradoxes of this narrative is the use of the same past by regimes as different as those of the last Romanovs, Stalin, and Putin, leading to a fundamental question: does this propaganda image really underlie the core identity of Russia?
Publikation durchsuchen
Bibliographische Angaben
Auflage
1/2024
Copyrightjahr
2024
ISBN-Print
978-1-80270-176-0
ISBN-Online
978-1-80270-238-5
ePub ISBN
9781802702385
Verlag
Arc Humanities Press, Yorkshire
Reihe
Past Imperfect
Sprache
Englisch
Seiten
118
Produkttyp
Monographie
Inhaltsverzeichnis
KapitelSeiten
Contents Kein Zugriff
List of Illustrations Kein Zugriff
A Word by Way of Introduction Kein Zugriff Seiten 1 - 10
Chapter 1. The Russian Empire and Byzantium: From Napoleon to Nicholas II Kein Zugriff Seiten 11 - 34
Chapter 2. Lenin, Hitler, Stalin: Anticlericalism, the Blood of Liberators, and Imperialism Kein Zugriff Seiten 35 - 64
Chapter 3. Luzhkov, Putin, and the Dream of the Return of Empire Kein Zugriff Seiten 65 - 96
Conclusion. Trauma, Imperialism, and the Russia of Tomorrow Kein Zugriff Seiten 97 - 102
