Sammelband Open Access Vollzugriff
Operatic Pasticcios in 18th-Century Europe
Contexts, Materials and Aesthetics- Herausgeber:innen:
- |
- Reihe:
- Mainzer Historische Kulturwissenschaften, Band 45
- Verlag:
- 2021
Zusammenfassung
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Schlagworte
Publikation durchsuchen
Bibliographische Angaben
- Auflage
- 1/2021
- Copyrightjahr
- 2021
- ISBN-Print
- 978-3-8376-4885-0
- ISBN-Online
- 978-3-8394-4885-4
- Verlag
- transcript, Bielefeld
- Reihe
- Mainzer Historische Kulturwissenschaften
- Band
- 45
- Sprache
- Englisch
- Seiten
- 798
- Produkttyp
- Sammelband
Inhaltsverzeichnis
KapitelSeiten
- The World of Pasticcio Reflections on Pre-Existing T ext and MusicSeiten 27 - 44Autor:innen:Download Kapitel (PDF)
- Italian Pasticcio Opera, 1700-1750 Practices and RepertoiresSeiten 45 - 68Autor:innen:Download Kapitel (PDF)
- Pasticcio Practice in 18<sup>th</sup>-Century German TheaterSeiten 103 - 116Autor:innen:Download Kapitel (PDF)
- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio'' s drammi per musicaSeiten 117 - 152Autor:innen:Download Kapitel (PDF)
- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and HamburgSeiten 153 - 178Autor:innen:Download Kapitel (PDF)
- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical WorkSeiten 181 - 196Autor:innen:Download Kapitel (PDF)
- On the New Significance of the Pastiche in Copyright LawSeiten 211 - 222Autor:innen:Download Kapitel (PDF)
- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal AcademySeiten 225 - 240Autor:innen:Download Kapitel (PDF)
- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring BusinessSeiten 241 - 270Autor:innen:Download Kapitel (PDF)
- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker CorrespondenceSeiten 271 - 284Autor:innen: |Download Kapitel (PDF)
- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupeSeiten 285 - 328Autor:innen:Download Kapitel (PDF)
- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765)Seiten 329 - 346Autor:innen: |Download Kapitel (PDF)
- Collaboration, Arrangement, ''Dressing'': The Different Recipes for the pasticcio alla napoletana in the First Half of the 18<sup>th</sup> CenturySeiten 349 - 376Autor:innen:Download Kapitel (PDF)
- Production of Opera Pasticcios in Venice in the Early 18<sup>th</sup> Century. The Impresario''s RoleSeiten 377 - 396Autor:innen:Download Kapitel (PDF)
- Artaserse (Rome, 1721), Nicola Porpora''s First PasticcioSeiten 397 - 424Autor:innen:Download Kapitel (PDF)
- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and PasticciosSeiten 425 - 446Autor:innen:Download Kapitel (PDF)
- The Book of Pasticcios: Listening to Ormisda''s Material TextsSeiten 447 - 464Autor:innen:Download Kapitel (PDF)
- Borrowed Voices. Legal Ownership of Insertion Arias in 18<sup>th</sup>-Century LondonSeiten 465 - 484Autor:innen:Download Kapitel (PDF)
- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and MoraviaSeiten 485 - 506Autor:innen:Download Kapitel (PDF)
- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis'' s Common Practice?Seiten 507 - 526Autor:innen:Download Kapitel (PDF)
- A Granted Royal Wish, or Carlo Goldoni'' s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765Seiten 527 - 538Autor:innen:Download Kapitel (PDF)
- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800Seiten 541 - 552Autor:innen:Download Kapitel (PDF)
- Ballet Performance as Motivation for Pasticcio Practices – Gluck'' s and Berton''s Cythère assiégée (1775)Seiten 575 - 588Autor:innen:Download Kapitel (PDF)
- The Use of Extracts of Mozart'' s Operas in Polish Sacred MusicSeiten 589 - 608Autor:innen:Download Kapitel (PDF)
- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18<sup>th</sup> CenturySeiten 609 - 620Autor:innen:Download Kapitel (PDF)
- Apostolo Zeno''s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and NaplesSeiten 623 - 658Autor:innen:Download Kapitel (PDF)
- The Musical and Physical Mobility of Material in Handel SourcesSeiten 659 - 668Autor:innen:Download Kapitel (PDF)
- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18<sup>th</sup> CenturySeiten 669 - 686Autor:innen:Download Kapitel (PDF)
- Gluck''s Contribution to the Pasticcios Arsace and La finta schiavaSeiten 687 - 704Autor:innen:Download Kapitel (PDF)
- Digital Music Editions Beyond [Edited] Musical TextSeiten 705 - 718Autor:innen:Download Kapitel (PDF)
- The pasticci Tree: Manual and Computing SolutionsSeiten 719 - 732Autor:innen:Download Kapitel (PDF)
