Art History

“Security” is a key concept today. Striving for security is regarded as the principal aim in almost all policy areas, and not only with regard to crises in international relations, internal or social security. Against this backdrop, the series of publications entitled Politiken der Sicherheit | Politics of Security examines how notions of security have developed throughout history, from the pre-modern era to the present day. It focuses particularly on addressing the question of how certain issues developed into security issues and what political effects this had and has.This German and English-speaking series is intended to promote research from the fields of social science, law and cultural studies that deals with dynamics of security, with the creation and portrayal of security in both theory and practice. As it focuses on research into historical security, this series is receptive to all critical research projects on this subject and any issues related to it (securitisation, human security etc.).Both members of the SFB/TRR 138 and interested researchers outside the SFB-TRR 138 are expressly encouraged to publish monographs, not least qualification papers, but also thematic issues and anthologies that fit the content profile of the series.

The series Media and Religion offers a platform for innovative and creative contributions to this particular research field. It presents research projects from the fields of religion, theology, sociology, media, film and gender studies, political science, cultural studies and visual studies. Interdisciplinary and transdisciplinary studies are particularly welcome. The series aims to publish critical analyses of the multi-layered interactions between religion and media in history and contemporary society from an empirical, theoretical, and hermeneutical perspective.

Monographs, anthologies and conference proceedings that address subjects from the fields of dance, theatre studies and musical theatre studies are published in the series entitled Scenae, which was founded in 2013. In view of the multifaceted variety of the performing arts and media, it examines issues from an interdisciplinary perspective and constantly bears in mind the fascinating interplay between theory and practice and between academic study and art.