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Cultural Studies & Classical Studies

Cultural and classical studies investigate symbols, practices, artifacts, and texts across cultures and eras. They provide methods of analysis and interpretation as well as insights into continuity and change in cultural forms of expression.

Cover of book: Bildungsgang und Lebensgeschichte
Series
Publisher: Rombach Wissenschaft, Baden-Baden
This series of publications is primarily reserved for those works which pursue new avenues of cultural studies research in the humanities and also address interdisciplinary issues. First and foremost, therefore, it places particular emphasis on studies which are able to go beyond merely taking an, at times, overly isolated view of individual subjects by dealing with cultural studies issues and by broadening horizons.
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Cover of book: Fakt, Fiktion und Transparenz
Series
Publisher: Rombach Wissenschaft, Baden-Baden
Since 2015, monographs, anthologies and conference proceedings on subjects relating to the history of knowledge from literary studies and its related disciplines have been published in the series ‘Das Unsichere Wissen der Literatur’ (The Changeable Knowledge of Literature). In addition to reflecting methodically on the relationship between literary texts and discursive contexts, the series focuses on the diverse and partly contradictory functions of literature in the production, discussion and diffusion of cultural knowledge. If knowledge is understood as a process rather than substance, the changeable knowledge of literature with its fiction, fantasies and fakes proves to be a key factor in understanding processes of knowledge production which need to be constantly reappraised.
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Cover of book: Die Symphonische Dichtung in der Wiener Schule
Series
Publisher: Rombach Wissenschaft, Baden-Baden
Since it was founded 100 years ago by the musicologist Willibald Gurlitt, the music department at the University of Freiburg has studied the history of music from the early Middle Ages to the present. The volumes in the series ‘Freiburger Beiträge zur Musikwissenschaft’ (the Freiburg Contributions to Musicology), which have been published under the title Voces since 1995, are dedicated to upholding this tradition. This title refers to the tradition of medieval solmisation, which was taught and used until during the 16th century and represents a key element in understanding medieval sources of music. In this respect, the publications in the series are intended to bring to life the works they focus on through historical and music theory source criticism in tandem with intensive analytical examinations, and in this way make them more understandable for readers today.
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