Art History

This yearbook has been published since 1993 and is regarded as the most important institution in research into Hofmannsthal. On the one hand, it places the works of Hugo von Hofmannsthal (1874–1929) in the aesthetic and socio-historical context of modern European culture. According to the Neue Zürcher Zeitung , its publication of previously unpublished correspondence is one of its particular merits. On the other hand, contributions from renowned experts in literature, the fine arts, philosophy, psychology, politics, and in dance and theatre at the turn of the century are also collected in this yearbook.

For an academic discipline like German studies to make its mark, global networking is essential, especially in a country such as Australia, which due to its geostrategical location does not allow for proliferent German studies research in the same way that Europe does. ‘Limbus—The Australian Yearbook of German Literary and Cultural Studies’ is intended to take this need into account. Its goal is to further promote Australian German studies to readers with some knowledge of this field and to provide a specifically Australian forum for international discussion on this subject area. Each annual issue focuses on a particular main topic decided on by the editors, and in no way ignores the ideas and opinions of Germanists living and working outside Australia. This periodical, which was first published in 2008, regularly publishes academic essays and reviews of new academic publications from the field of German literary and cultural studies. Its editors are assisted by an academic panel consisting of experts from around the world.

The series »Ethnomusicology in the 21st century«, which was established at Goethe University in Frankfurt in 2021, includes monographs, edited volumes and conference proceedings on the fields of ethnomusicology and the anthropology of music. In light of the increasing importance of digitalisation, political debates on postcolonial and post-migrant societies, and the global health and climate crises, this series explores their consequences for music-making, discussing current issues, research approaches and paradigms.

The volumes in the series intro: Literaturwissenschaf provide a sound, compact and understandable introduction to both fundamental and current topics relating to a form of literary studies whose cultural studies expansion is based, for example, on the ‘turns’ of recent decades, such as the cultural turn, spatial turn, social turn, etc. The books will appeal to students of all branches of philology who would like to obtain an overview of their respective subject area, and the structured discussions, concise summaries, bibliographical references as well as questions and suggestions for further research in the volumes will facilitate students’ introduction to the subject matter.

For Hannah Arendt, a space of appearance is formed "when people act and speak with one another" and, in doing so, constantly reassess the power relations that create and maintain this space. Beyond Arendt, however, these negotiation processes must also be extended to those with and between non-human beings. The books in this series examine the rules of access to spaces of appearance, their infrastructures and the experiences that are tested or jeopardised in them. At the interface between theatre and other cultural studies, performance studies, political, post- and decolonial theory, anthropology as well as queer and gender studies, these works ask who or what can appear, where and how and under what conditions. How do the scenic arts experiment with possible forms of appearance and make its spaces tangible?