Agricultural Technology & Environmental Technology

Anthologies and monographs characterised by their interdisciplinary nature and which address current subjects of interest in the field of consumer sciences are published in this series. The series is dedicated to interdisciplinary consumer research and examines the whole spectrum of issues related to consumption. It welcomes contributions from the entire gamut of academic disciplines and will appeal to all those interested in dealing with challenges relevant to consumers on an in-depth academic level. The series aims to strengthen cooperation between the different academic disciplines and to promote the transfer between academia and consumer politics and/or consumer protection agencies.

This series documents research in the disciplines of sociology, history, cultural studies, political science and religious studies, as well as at the points where these disciplines overlap, which deals with societies in Central and Eastern Europe along with those in Central Asia. Since the beginning of the societal transformations at the end of the 1980s, one can observe that quite different developments have taken place in the aforementioned societies, whose fundamental characteristics lie within a very wide range of intensive modernisation and differentiation up to (new) forms of collectivistic orientation. Here, disciplinary and interdisciplinary publications, also with a critical approach, contribute to the discourse in social science on structures, actors and processes in the regions in question. The peculiarity of the series is that, in particular, authors from Eastern Europe are invited to publish work in it. Through their internal perspectives, these authors can contribute to substantially expanding expert knowledge on this subject area.

The series includes commentaries, critical editions, and monographs on core problems of Greek texts, analyzed with the methods of philology to contribute to the scientific understanding of antiquity: Diotima embodies the relationship between knowledge and poetic depth in the sign of beauty.

Starting since 2019, the Eleatica series gives rise to a second side project, Eleatica Supplementa. The aim of this sub-series is to publish outstanding monographs or essay collections on Eleaticism, so as to offer a further contribute to the scientific literature on the issue. While Eleatica proposes debates among leading specialists in the field, focused on the lectiones magistrales of a well-known scholar, the Supplementa present in-depth studies on specific topics written by scholars that put forward innovative or particularly relevant interpretations. The series is addressed primarily to the community of specialists in Ancient Philosophy, but also to students and more generally the cultured public interested in the origins of Western thought.

This series of publications is primarily reserved for those works which pursue new avenues of cultural studies research in the humanities and also address interdisciplinary issues. First and foremost, therefore, it places particular emphasis on studies which are able to go beyond merely taking an, at times, overly isolated view of individual subjects by dealing with cultural studies issues and by broadening horizons.

Since 2015, monographs, anthologies and conference proceedings on subjects relating to the history of knowledge from literary studies and its related disciplines have been published in the series ‘Das Unsichere Wissen der Literatur’ (The Changeable Knowledge of Literature). In addition to reflecting methodically on the relationship between literary texts and discursive contexts, the series focuses on the diverse and partly contradictory functions of literature in the production, discussion and diffusion of cultural knowledge. If knowledge is understood as a process rather than substance, the changeable knowledge of literature with its fiction, fantasies and fakes proves to be a key factor in understanding processes of knowledge production which need to be constantly reappraised.

Since it was founded 100 years ago by the musicologist Willibald Gurlitt, the music department at the University of Freiburg has studied the history of music from the early Middle Ages to the present. The volumes in the series ‘Freiburger Beiträge zur Musikwissenschaft’ (the Freiburg Contributions to Musicology), which have been published under the title Voces since 1995, are dedicated to upholding this tradition. This title refers to the tradition of medieval solmisation, which was taught and used until during the 16th century and represents a key element in understanding medieval sources of music. In this respect, the publications in the series are intended to bring to life the works they focus on through historical and music theory source criticism in tandem with intensive analytical examinations, and in this way make them more understandable for readers today.

This yearbook has been published since 1993 and is regarded as the most important institution in research into Hofmannsthal. On the one hand, it places the works of Hugo von Hofmannsthal (1874–1929) in the aesthetic and socio-historical context of modern European culture. According to the Neue Zürcher Zeitung , its publication of previously unpublished correspondence is one of its particular merits. On the other hand, contributions from renowned experts in literature, the fine arts, philosophy, psychology, politics, and in dance and theatre at the turn of the century are also collected in this yearbook.

For an academic discipline like German studies to make its mark, global networking is essential, especially in a country such as Australia, which due to its geostrategical location does not allow for proliferent German studies research in the same way that Europe does. ‘Limbus—The Australian Yearbook of German Literary and Cultural Studies’ is intended to take this need into account. Its goal is to further promote Australian German studies to readers with some knowledge of this field and to provide a specifically Australian forum for international discussion on this subject area. Each annual issue focuses on a particular main topic decided on by the editors, and in no way ignores the ideas and opinions of Germanists living and working outside Australia. This periodical, which was first published in 2008, regularly publishes academic essays and reviews of new academic publications from the field of German literary and cultural studies. Its editors are assisted by an academic panel consisting of experts from around the world.

The series »Ethnomusicology in the 21st century«, which was established at Goethe University in Frankfurt in 2021, includes monographs, edited volumes and conference proceedings on the fields of ethnomusicology and the anthropology of music. In light of the increasing importance of digitalisation, political debates on postcolonial and post-migrant societies, and the global health and climate crises, this series explores their consequences for music-making, discussing current issues, research approaches and paradigms.

The volumes in the series intro: Literaturwissenschaf provide a sound, compact and understandable introduction to both fundamental and current topics relating to a form of literary studies whose cultural studies expansion is based, for example, on the ‘turns’ of recent decades, such as the cultural turn, spatial turn, social turn, etc. The books will appeal to students of all branches of philology who would like to obtain an overview of their respective subject area, and the structured discussions, concise summaries, bibliographical references as well as questions and suggestions for further research in the volumes will facilitate students’ introduction to the subject matter.