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The series Philosophische Theorie (Philosophical Theory) contains works dealing with the core disciplines of theoretical philosophy: logic, epistemology, philosophy of science, philosophy of language, metaphysics and ontology. It will appeal to both academics and all those interested in philosophy who would like to learn more about the respective fields.

Philosophy and literature have been related to each other since the dawn of history, and it seems extremely difficult to draw a clear dividing line between them. At the point where philosophy raises fundamental questions about the world and human existence, it encroaches onto a topic area also addressed by poetry and literature, although they use different means in doing so. This means that the relationship between philosophy and literature is not limited to a collection of related or mutual themes, questions and issues, but that it also particularly involves the reciprocal exchange of forms and formats of philosophical and poetic spoken and written expression. This series of publications intends to shed greater light on the fascinating interconnections between philosophy and literature, their affinity, mutual complementarity and differences, and in doing so to investigate both the literary dimensions of philosophy and the philosophical dimensions of literature using relevant case studies and selected problems.

The series entitled ‘klang-reden. Schriften zur Musikalischen Rezeptions- und Interpretationsgeschichte’ (Tonal Discussions. Studies on the history of the reception and interpretation of music) was founded by the Institute for the History of Musical Reception and Interpretation in 2008. To date, the series has focused on Mozart, modern classical music, baroque music, popular music and methods used in musical interpretation research. One of its significant incentives in studying this field is, in particular, to place topics relating to musical practice in a clear context.

Monographs, anthologies and conference proceedings that address subjects from the fields of dance, theatre studies and musical theatre studies are published in the series entitled Scenae, which was founded in 2013. In view of the multifaceted variety of the performing arts and media, it examines issues from an interdisciplinary perspective and constantly bears in mind the fascinating interplay between theory and practice and between academic study and art.