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Monographs, anthologies and conference proceedings that address subjects from the fields of dance, theatre studies and musical theatre studies are published in the series entitled Scenae, which was founded in 2013. In view of the multifaceted variety of the performing arts and media, it examines issues from an interdisciplinary perspective and constantly bears in mind the fascinating interplay between theory and practice and between academic study and art.

While the ecclesial, theological and social history of modern Catholicism, which has developed since 1800, has been researched extensively, its manifestations with regard to literary and cultural history have tended to receive merely sparse attention and be regarded with extreme reservation. In this regard, the series entitled ‘Catholica’ breaks new ground, primarily in German-speaking research into this field. By being the first series to raise awareness of the broad spectrum of the image of literary Catholicism since 1800 in terms of literary aesthetics, historical assessment, cultural appraisal, the history of piety and intellectualism, and the intensive interdependence between and permeation of authors and milieus, plus their mutual distancing from each other, it shows that Catholic literature is also part of the plural modernity of the 19th and 20th centuries, which abounds with self-contradictions.

Dying, death and grief have to be regarded as fundamental aspects of cultural coexistence because humans cannot avoid dealing with them when they live with others. A diminishing circle of friends and family, the pain of loss, the transformation of a living being into a dead body, the symbols and rituals of saying farewell to the deceased, plus the contribution of medical, religious and other forms of expertise along with many other aspects reveal, on the one hand, the potential of the utter devastation a person’s death can trigger. On the other, these forms of expression and modes of behaviour also underline that dying and death are not purely natural occurrences. They transpire amid societal mechanisms which reflect a large and, at times, contradictory variety of reflective processes in addressing the finite nature of life. Death is a human’s greatest certainty in life. In this respect, the series of publications Thanatological Studies provides a forum for both theoretical and empirical works which address the social, normative, aesthetic, spiritual, bodily, psychological and other facets of death and dying, and by extension grief and remembrance, from the perspectives of different academic disciplines.

The series ”Religion – Wirtschaft – Politik“ (Religion–Economy–Politics) provides a platform for academic publications by the Centre for Religion, Economy and Politics (www.zrwp.ch ), a joint venture by the Universities of Basel, Fribourg, Lausanne, Lucerne, Zurich, and the Collegium Helveticum. The ZRWP aims to analyse the interactions between religion, economy, and politics in an inter- and transdisciplinary way by encouraging innovative research on religion. By publishing monographs and edited volumes focused on content and methods, the series contributes to a better understanding and explanation of religion in society at a local, regional, national, and transnational level in a globalizing world.

The Munich Intellectual Property Law Center (MIPLC) is a project of four partners from two continents: The Max Planck Institute for Intellectual Property, Competition and Tax Law, the University of Augsburg, the Technische Universität München and the George Washington University Law School, Washington D.C. Apart from an LL.M. program in intellectual property law taught by faculty from all over the world, MIPLC is also devoted to research in all areas of intellectual property, including adjacent areas of economics and science. Together with its partner organisations worldwide, MIPLC also organizes conferences on topical intellectual property issues. In its MIPLC Studies, the best research results of the Center and proceedings of conferences organized by the Center will be published. The series will cover a wide variety of subjects of interest for academic researchers, as well as for practitioners, including policy makers interested in intellectual property and adjacent fields. They will benefit from the output of research performed by researchers from all over the world who study and work at the Center.