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The series entitled ‘Nordica’ offers up-to-date literary studies contributions to Scandinavian studies in the form of monographs and anthologies. Since it was founded in the year 2000, the series has established itself above all as a forum for discussion and the application of cultural and media studies approaches to new Scandinavian studies. ‘Nordica’ offers its readers the chance to follow recent developments in interdisciplinary theory and methods with innovative reading matter on literature, film and other media from northern Europe. Interdisciplinary networking, the relevance of literary studies in general for Scandinavian studies and the significance of Scandinavian cultural heritage for interdisciplinary literature studies are important in this respect. Accordingly, the series has already published studies on the definitive authors of Nordic literature such as Strindberg, Ibsen, Hamsun and Inger Christensen, on Scandinavian contemporary and youth literature, which is widely read internationally, and also on the relation between text and pictures, and literature and radio or jazz.

This series is intended as a forum for a form of literary studies whose cultural studies expansion has been consolidated since the ›turns‹ in recent decades. The monographs and anthologies it publishes address the ›textures‹ which literature (and culture in general) is composed of: the literal materials and the media and cultural contexts that are inserted and interwoven into texts. These works and analyses are characterised by their openness towards incisive theoretical discussions in literary, media and cultural studies as well as their demands for innovative approaches.