Die UFITA wurde 1928 als „Archiv für Urheber-, Film- und Theaterrecht“ gegründet und gehört seitdem zu den führenden Zeitschriften zum Recht des Geistigen Eigentums. Ab dem Jahr 2018 erscheint sie als interdisziplinäre Zeitschrift für Medienrecht und Medienwissenschaft. Als forschungsorientierte Archivzeitschrift mit wissenschaftlich höchstem Anspruch bietet die UFITA ein Forum für grundlagenorientierte Abhandlungen zum privaten und öffentlichen Urheber- und Medienrecht mit seinen interdisziplinären Bezügen sowie zur sozialwissenschaftlich orientierten Kommunikations- und Medienwissenschaft. In Aufsätzen und Gutachten namhafter Autoren werden grundlegende Fragestellungen und aktuelle Entwicklungen in der Urheber- und Medienrechtswissenschaft mit ihren rechtsphilosophischen, rechtshistorischen, methodologischen sowie ökonomischen Grundlagen adressiert. Gleichzeitig ist die UFITA künftig auch ein Forum, das interdisziplinäre Diskussionen sowie Publikationen auf dem Gebiet der Medien- und Kommunikationswissenschaft ermöglichen soll. Die Verbindungen zu internationaler Forschung sowie ein spezieller, auch rechtsvergleichender Fokus auf das europäische Recht und das Völkerrecht sind daher ebenso wichtig wie die Präsenz von WissenschaftlerInnen verschiedener disziplinärer Herkunft. Die UFITA hat einen Jahresumfang von ca. 300 Seiten, erscheint halbjährlich und enthält neben umfangreichen wissenschaftlichen Abhandlungen vertiefte Rezensionen zu ausgewählten Veröffentlichungen, die thematisch geordnet in Sammelrezensionen diskutiert werden. Des Weiteren findet sich in jeder Ausgabe eine deutsche und internationale Literaturübersicht, eine Zeitschriftenlese sowie ein Überblick aktueller Entscheidungen. Angestrebt wird eine Erweiterung um englischsprachige Beiträge. Die UFITA ist daher eine ideale Basis für sämtliche juristischen Berufszweige und all jene aus Wissenschaft und Praxis, die sich vertieft mit aktuellen Fragen der Medienentwicklung und -steuerung befassen.
Die Urheberrechts-Richtlinie 2001/29/EG verstößt gegen die Medienfreiheit gemäß Art. 11 Abs. 2 EUGRCh und Art. 10 EMRK. Die Ausnahmen und Beschränkungen der Urheberrechts-Richtlinie können einen angemessenen Ausgleich zwischen den Rechten des...
Gemeinschaftsproduktionen gehören zu den prägenden Elementen des Filmgeschäfts. Die nationale und internationale Kooperation von Filmherstellern bündelt Ressourcen, diversifiziert Risiken und schafft einen kulturellen Mehrwert, den das Recht der...
Die Corona-Pandemie hat wie in einem Brennglas zweierlei für den Mediensektor gezeigt: einerseits die Wichtigkeit der Medien für die Information der Bürger (was an deutlich gestiegenen Nutzungszahlen von Qualitätsmedien ablesbar ist) und...
Das Netzwerkdurchsetzungsgesetz (i.F. NetzDG) war von Beginn an ein umstrittenes Gesetzesvorhaben, in- und außerhalb Deutschlands, und löste einen „Tsunami der politischen und wissenschaftlichen Empörung“1 aus. Dieses Gesetz steht für das...
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