@book{2025:kemack:interrupti,
title = {Interrupting the Machine},
year = {2025},
note = {Saul Kemack draws on the theories of Bernard Stiegler and Kati
Röttger to examine live performance as a site for practicing
“dis-automation dramaturgy.” Through a detailed phenomenological
and intermedial study of Forced Entertainment’s Signal to Noise, the
author explores how theatrical framing can expose the logics of
digitally saturated life under hyper-industrial capitalism. Rather
than claiming we can wholly resist such logics, his research reveals
how art creates temporary interruptions – moments of reflection and
reoriented sensibility – in the algorithmic flow. Saul Kemack is a
writer, researcher, and dramaturg based in South Africa.},
edition = {1},
publisher = {Tectum},
address = {Baden-Baden},
series = {AGent. New Theses in Performance Research},
volume = {13},
author = {Kemack, Saul}
}